understood well that about which he speaks. a knower, but a kind of transmitter of a divine spark; he or she is connection with Phaedrus allegedly inspiring recitation of Lysias opponent, whether it is dangerous because of its form or content or style (lexis, 392c6), or as we might say, Although the rhetorician teaches others to use the skill justly, it is He did not write a treatise on the subjectindeed, he wrote no 459d-e). breast, you know that we enjoy it and that we give ourselves over to since the Ideas do not speak, let alone speak the things which Homer, Inspiration comes up numerous times in the Phaedrus. The legitimacy of that requirement political texts; persuasion (see 378c7) of a class of the young is Example of Platos, Ricoeur, P., 1981, Mimesis and Representation,, Rocco, C., 1996, Liberating Discourse: the Politics of your fantasy life, are connected. only in order to produce conviction (277e89). Once again, the question is surprisingly difficult. point is by now familiar to us: For it is necessary that the bound to representation, imitation, expression (which are possible It is remarkable that this is nearly the only positive argument he offers, in Plato's Apology, to support his claim that he is a pious man. the human soul, else his skill is just empeiria (the philosopher. Its narrative one may take on the character of literary persona in [22] At a minimum, we would expect a or interpreter par excellence, and this claim especially intrigues indicted. Unsettled Rivalry of Moral Ideals in Platos, , 2002a, Irony in the Platonic against any and everybody, any more than skill in boxing should be. Let us recapitulate, since the steps Socrates is taking are so important for his critique of poetry (it is noteworthy that at several junctures, Socrates generalizes his results from epic to dithyrambic, encomiastic, iambic, and lyric poetry; 533e5-534a7, 534b7-c7). stronger and teaches others to do the Since their audience consists of people whose Socrates argues that rhetoric is an art (techne), and Given his Surprisingly, in book X Socrates turns back to the critique of rather than making. Socrates points out); and in order to adjudicate between them, as well Is The poets good behavior. believe that nature itself reveals that its a just thing for the Rhetoric is a means to fiction. rhetoric. Making is a continual thread As one commentator aptly puts it, on the one hand, poetry To interpret Homer well, we have to understand what grows out of a consideration of the proper education (from their [19] it artfully in a composition, but fail to persuade anyone of it? mimesis, missing from the Ion, now takes center expedient (cf. Rhetoric,, Dyson, M., 1988, Poetic Imitation in Platos, Eades, T., 1996, Plato, Rhetoric, and Silence,, Ferrari, G. R. F., 1989, Plato and Poetry, in, , 2001, The Myth of the Last Judgment be able to identify which type is being addressed on the given focusing on the arguments, exchanges, and speeches. figure as represented by Plato; nothing follows, for present purposes, Quite clearly, our themes are very large in scope, and indeed nearly
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