This change increased the importance of the string bass. Whereas bebop was "hot," i.e., loud, exciting, and loose, cool jazz was "cool," i.e., soft, more reserved, and controlled. It used simpler melodies that were easier to sing, a slower tempo, a strong backbeat, a solid bluesy groove, all of which made it very danceable and thus popularised Jazz again. bitonality. He recorded some singles across 1949 and 50 that eventually became an album called The Birth Of The Cool. He would frequently repeat simple two or three note figures, with shifting rhythmic accents expressed by volume, articulation, or tone. Now, the bass not only maintained the music's harmonic foundation, but also became responsible for establishing a metronomic rhythmic foundation by playing a "walking" bass line of four quarter notes to the bar. The African Matrix in Jazz Harmonic Practices." That opened up creative possibilities for harmonic improvisation such as tritone substitutions and use of diminished scale based improvised lines that could resolve to the key center in numerous and surprising ways. 3. For information on ordering The Instrumental History of Jazz 2-CD set, click here. Lincoln was right; facts are stubborn things. While they sound similar in some aspects, it is important to know the difference between these two styles of jazz music. Bebop took the harmonies of the old jazz and superimposed on them additional substituted chords. Comping was more prevalent than stride style and simple on the beat chording. developed idea of comping. Save my name, email, and website in this browser for the next time I comment. comping. Which Rhythmic Technique Is Integral to Ragtime Music? Bebop musicians employed several harmonic devices not typical of previous jazz. Bebop songs were typically faster. Then there are the tempo, harmonic, and rhythmic differences. The Eckstine band was recorded on V-discs, which were broadcast over the Armed Forces Radio Network and gained popularity for the band showcasing the new bebop style. [citation needed], With the imminent demise of the big swing bands, bebop had become the dynamic focus of the jazz world, with a broad-based "progressive jazz" movement seeking to emulate and adapt its devices. Christian's major influence was in the realm of rhythmic phrasing. I played it myself! Its worth noting that tenor saxophonist Coleman Hawkins anticipated the improv aspect of bebop when he recorded the song Body & Soul in 1939, in which he briefly stated the main melody before embarking on a long improvisation that bore little resemblance to the main theme.
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