As a writer, as an architect, and as a lover, Diaz takes visibility in her own hands. The McNamara Supply Gallery is named in honor of Lieutenant General Andrew T. McNamara, a distinguished Quartermaster officer who served as the Quartermaster of 1st Army in World War II, the 36th Quartermaster General and the first commander of the Defense Logistics Agency. 2 West. The museum's collection is among the finest of its kind boasting superlative works from around the globe and across time -- including American art and architecture, Asian export art, photography, maritime art and history, Native American, Oceanic, and African art, as well as one of the nations most important museum-based collections of rare books and manuscripts. Diazs insight into the way the United States is destroying itself is tied to her postcolonial perspective. Here, she illustrates the connection of river and person. How have they shaped you today. Museum Bubbles Energy imagine Fire Station No. SALEM, MA This May, the Peabody Essex Museum (PEM) debuts In American Waters, a painting exhibition that reframes and expands our understanding of American culture and environment by looking at the sea. WebOnline Exhibitions. Moments that add up to a lifea lifes momentum., Creative Forces: NEA Military Healing Arts Network, Independent Film & Media Arts Field-Building Initiative, Historically Black Colleges and Universities (HBCUs), National Endowment for the Arts on COVID-19. WebExhibitions - Field Museum Exhibitions Explore cultures present and past, find the latest scientific discoveries, and travel the world right here in Chicago. Water/Ways (Museum on Main Street) - Smithsonian In her introduction to the long-overdue anthology New Poets of Native Nations (2018), the editor Heid E. Erdrich, herself a Native American poet, begins by welcoming us in the brilliantly lit dimension that her selected poets collectively create and occupy. In the poem exhibits fromThe American Water Museum, Diaz sets Americas relationship to water in the framework of a museum: recordings (p. 63), a dilapidated diorama (p. 65), marginalia (p. 66), places and people that populate the exhibits of the museum.
